Digital Prophecy traces a journey from Tunisia's heat to Norway's cool. Across this distance an affinity is discernible in the shared outspokenness of expression of both musical cultures. This recording may also be viewed as the latest in an ongoing dialogue between Norway and the rest of the world; Nils Petter Molvaer's trumpet sound has long seemed like a soft muezzin call, Eivind Aarset's guitar like a keening djinn, Arve Henriksen's trumpet shakuhachi-like and so on. Another lineage may be traced from here back to Marilyn Mazur's groups and thence to Jan Garbarek's outernational explorations.

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